The following videos are available for viewing at the Video Salon by request except during program times. Special video programs are presented in collaboration with Electronic Arts Intermix.

Vito Acconci

The Red Tapes, 1974, 141:27, Black and white, Sound.

Waterways, 4 Saliva Studies, 1971, 22:27, Black and white, Sound.

 

 

Robert Ashley

Perfect Lives: an opera for television in seven episodes. With “Blue” Gene Tyranny, Jill Kroesen, David van Tieghem. Produced in collaboration with Carlotta Schoolman for The Kitchen, New York City, in association with Channel Four, Great Britain. 1983, Color, Sound.

I The Park (Privacy Rules), 25:50.

II The Supermarket (Famous People), 25:50.

III The Bank (Victimless Crime), 25:50

IV The Bar (Differences), 25:50

V The Living Room (The Solutions), 25:50

VI The Church (After The Fact), 25:50

VII The Backyard (T’Be Continued), 25:50

 

 

Laurie Anderson

O Superman, 1986, 9:00, Color.

 

 

Charles Atlas

Put Blood In The Music. Director/Editor: Charles Atlas, Producer: James Morris. Sound: Judy Carp. Director of Photography: Paul Gibson. Performers: John Zorn, Sonic Youth, Spy vs. Spay, The Ambitious Lovers, Hugo Largo. 75:00, Color, Stereo sound, 1989.

 

 

Tex Avery

Screwball Classics 3, (c.1953) 1991, 44:00, Color.

 

 

John Baldessari

Six Colorful Tales, 1977, 17:10, Color, Sound.

I Will Not Make Any More Boring Art, 1971, 13:30, Black and White.

Art Disaster, 1971, 30:00, Black and White.

 

 

Maria Beatty

Sphinxes Without Secrets, 1992, 58:00, Color, Sound.

 

 

Joseph Beuys

Vitex Agnus Castus, Documentation of Joseph Beuys’s Arena, 1970-72, 47:49, Black and white, Silent.

Joseph Beuys; Public Dialogue. Part I.  Produced by Willoughby Sharp, 1974, 120:28, Black and white, Sound.

Joseph Beuys; Public Dialogue. Part II,  Produced by Willoughby Sharp, 1974, 120:28, Black and white, Sound.

Joseph Beuys; Dialogue with Audience, Cooper Union, January 7, 1980,  Produced by Gianfranco Mantegna, Kim Halsey, and Arlene Koebe. 50:19, Black and white and color, Sound

Venti Anni Con Beuys (Twenty Years with Beuys), Produced by Lucio Aamelio, 1991, 44:20, Black and white and color.

 

 

Dara Birnbaum

The Damnation of Faust Trilogy.

Evocation, Camera: Dara Birnbaum, Post Production Director: John Ziemna, Editors: Richard Feist, John Zieman, With Kit Alderdice, Michelle Denisco, Alice Denobregga, Jerry Dinatolli, Georigeann Ditelli, Kim Galiardo, Pam Hysinger, Michael Libonati, Ronald Lonergan, Oggi Ochoa, Dino Plichelli, Jenny Porter, Amanda Stark, Timmy Stark, Millard Thomas, Gertrude Vaughn, Gina Vesce. 1983. 10:02 Color. Stereo sound.

Will O’ The Wisp (A Deceitful Goal) Camera: Dara Birnbaum.Editors: Rick Feist, Dara Birnbaum. Music: Mike Nolan and Paul Jacob. With Caatje Cusse. Produced in association with the Contemporary Art Television (CAT) Fund, 1985, 5:46, Color, Stereo sound.

Charming Landscape, Camera: Dara Birnbaum, Post-production Collaboration: John Zieman, CMX Editors: Rick Feist, Tom Crawford, Music: The Picassos (Keith James and James Nolan), With Georgeann Ditelli, Pam Hysinger, Produced in association with New Television WGBH/WNET. 1987, 6:30, Color, Sound.

Selected Works, 1978-1980, 25:10, color, sound.

 

 

Michael Blackwood Productions  

Beyond Utopia: Changing Attitudes in American Architecture. Writers/consultants: Martin Filler and Rosemarie Bletter. With architects: Peter Eisenman, Frank Gehry, Michael Graves, Philip Johnson, Denise Scott Brown, Robert Venturi. 58:00, Color, Sound.

Deconstructivist Architects. Writer and narrator: Joseph Giovanni. With the participation: Peter Eisenman, Frank Gehry, Zaha Hadid, Coop Himmelblau, Rem Koolhaas, Daniel Libeskind, Michael Sorkin,                Bernard Tschumi, Hajime Yatsuka, Jacques Derrida, and others. 1989, 58:00, Color, Sound.

 

 

Jean de Boysson

La Promenade. With a dance installation by Yves Musard. Sound installation by Eve-Marie Breglia. Sculpture/Pavilion: Dan Graham. 1993, 12:35,  Color, Mono.

 

 

Ante Bozanich

Selected Works 1974-1980, 31:05, Black and white and Color, Mono and stereo.

 

 

Klaus vom Bruch

Propellarband, 1979, 31:52, color, sound.

Relativ Romantisch, 1983-1984, 21:46, color, sound.

 

 

Chris Burden

Documentation of Selected Works 1971-1975 , 34:30, Color/Black and White, sound.

 

 

John Cage

Aspects of a New Consciousness, Camera Three, 1968, 30:00, Color, Sound.

 

 

Cecilia Condit

Possibly in Michigan, Music: Karen Skladany, With Jill Sands, Karen Skladany, Bill Blume, Amy Krick, Jeff Chiplis, Editor: David Narosny, Stereo  Mixing:  Joel Solloway, Special Effects: John Barak, 1983, 11:40, Color, Stereo sound.

 

 

Julie Dash

Illusions, 1983, 34:00, Black and white, Sound.

 

 

Mindy Faber

Suburban Queen, 1985, 3:15, Color, Sound.

 

 

Terry Fox

Children’s Tapes, 1974, 30:00, Black and white, Sound.

 

 

Jean Luc Godard and Anne-Marie Mieville

Scenario du Film Passion, 1982, 54:00, color, sound.

 

 

Dan Graham

Performer/Audience/Mirror, 1975, 22:52, Black and white, Sound.

Extracts for “Sculptural Pavilions” by Dan Graham:

Two Adjacent Pavilions, 1978-81, Collection of Rijksmuseum Kroller-Muller, Holland, Color, Sound.

Children’s Pavilion, 1986 “Chambres d’amis,” Ghent, Belgium, Color, Sound

Two Cubes One Cube Forty-Five Degree Rotated, 1986, Color, Sound.

Three Linked Cubes or Interior Design for Space Showing Videos, 1986.Color, Sound.

Westkunst (Modern Period): Dan Graham Segment, 1980, Directed by Ernst Mitzka. 7:10, Color, Sound.

Performance and Stage Set, in collaboration with Glenn Branca, 1983, Black and white,  Sound.

Minor Threat, 1983, 38:13, Color, Sound.

Rock My Religion, 1982-84, 55:27,Color and black and white, Sound.

Two-Way Mirror Cylinder Inside Cube, 1992, 19:34. Produced by Dia Center for the Arts. Color. Sound.

 

 

Jenny Holzer

Laments, 1989. Color. (Time unspecified).

 

 

House Sleeps Fire

Light Houses, Film and Videos by Adam Cohen, Jem Cohen, Eder Santos, and Gabriel Cohen. Music by Stephen Vitiello and Gabriel Cohen. Featuring Knox Chandler, Shin Shimokawa, and Tracy Leipold. Produced by Karen Kelly and DIA Center for the Arts. Technical director: Peter Strietman. Sound Director: Bob Bielecki. 1993. 70:39. Color. Sound.

 

 

Joan Jonas

Volcano Saga, 1989, 28:00, color.

Vertical Roll, Photography: Roberta Neuman, 19:38, 1972, Black and white, Sound.

 

 

Kamal Kozah

Architecture Tomorrow,

Morphosis, 1990, 14:51, Color, Sound.

Domestic Arrangements, 1990, 16:09, Color, Sound.

 

 

George Kuchar

Video Scrapbook #5, 1987, 46:09, Color.

Thursday People, 1987, 12:33, Color.

 

 

Gordon Matta-Clark

Substrait (Underground Dailies), 1976, 30:00, Black and white and Color.

Chinatown Voyeur, 1971. 60:00. Black and white, Silent.          

Fire Child, 1971, 9:47, Silent. 

Fresh Kill, 1971, 12:48, Silent.

Days End, 1975, 23:10, Silent.

Program Five,1976, Black and white and Color.

Clockshower, 1973, 13:50, Silent.

City Slivers, 1975, 15:00, Silent. 

Automation House, 1975, 32:00, Black and white.

Office Baroque, 1977, 44:00, Color, Sound.

Sauna View, 1973, 61:30, Black and White, Silent.

 

Anna Mendieta

Selected Filmworks, 1972-1981, 34:00, Black and white and color.

Untitled (Chicken Piece, Shot #2),1972.

Body Tracks (Blood Sign #2), 1974.

Laberinth Silueta, Silueta Series (Labyrinth Blood Imprint), 1974.

Untitled (Grass Breathing), 1975.

Burial of the Nanigo, (Woman Candle Silueta #2), 1976.

Candle Ixchell, Black Ixchell Series (Black Ixchell Candle Ixchell), 1977.

Volcan de Arena, Silueta Series (Filmworks: Rocas y humo), 1980.

Isla, 1981.

Untitled (Figura que parece Egypta), 1981

Untitled (Figura, Gunpowder en los cracks), 1981.

 

 

MICA-TV in collaboration with Dike Blair and Dan Graham

Cascade/Vertical Landscapes, Music by Christian Marclay, 1988, 6:30, Color, Sound.

 

 

Linda Montano

Mitchell’s Death, 1978, 22:00, Black and white, Sound.

 

 

Bruce Nauman

Walk with Contrappasto and Slow Angle Walk

 

 

Dennis Oppenheim

Program 6, 1971-1972, 27:18, Black and White and Color.

 

 

Tony Oursler

Selected Works

Life, 1979, 9:17, Black and white, Sound.

Diamond (Head) 1979, 13:52, Black and white, Sound

Good and Bad Things, 1979, 11:51. Black and white and color, Sound

Tunic (Song for Karen), in collaboration with Sonic Youth.Camera/Editor: Tony Oursler, Second camera: Elisabeth Subrin, Bob Gibson, 1990, 6:17, Color, Stereo sound.

 

 

Michelle Parkerson

Gotta Make This Journey: Sweet Honey And The Rock,  Directed by Joseph Camp, 1983, 58:00, Color, Sound.

 

 

Nam June Paik and Charlotte Moorman

Global Groove, Nam June Paik and John J. Godfrey, Director: Merrily Mossman,                Narrator: Russell Connor, Film Footage: Jud Yalkut, Robert Breer, Produced by                 the TV Lab at WNET/Thirteen, 1973, 28:30, Color, Stereo sound.

Strange Music of Nam June Paik, Camera Three, 1975; Topless Cellist, Charlotte Moorman, Paik/Weinberg; Charlotte Resounding, Larry Miller, 1998.

 

 

Raymond Pettibon

The Whole World is Watching- Weathermen ’69 , 1989, 122:00, color.

 

 

Martha Rosler

Semiotics of the Kitchen, 1975, 6:09, Black and white, Sound.

 

 

Eder Santos

Janauba. 1993, 17:00, Color, Sound.

 

 

Bob Snyder

Trim Subdivisions, 1981, 6:00, Silent.

 

 

Nina Sobell

Hey! Baby Chickey, 1978, 9:50, Black and white, Sound.

 

 

T.R. Uthco

The Eternal Frame, T.R. Uthco and Ant Farm: Doug Hall, Chip Lord, Doug Michels, Jody Procter. Video Production: Skip Blumberg, Bart Friedman, Alan Shulman, Pepper Molser, Bill Harlan, Jim Newman, T.L.Morey, Optic Nerve. Editors: Doug Hall, Chip Lord, Doug Michels, Jody Procter. With: T.R. Uthco, Ant Farm, Stanley Marsh III, 1975, 23:50, Black and white and color, Sound.

 

 

Judith Turner

Screening Architecture, 1990, 19:52, Black and white, Mono.

 

 

William Wegman

Selected Works. Reel 1, 1970-72, 30:08, Black and white, Sound.

 

 

Franz West and Bernard Riff

A Version, 1994, 54:30, Color

 

 

Hannah Wilke

Gestures, , 1974, 32:25, Black and White.

Through the Looking Glass, 1976, 10:00, color.

 

 

Bruce and Norman Yonemoto

Kappa, in collaboration with Mike Kelley, Producers:Bruce and Norman Yonemoto, Photography: Nikolai Ursin. Music: Carl Sone,  Written by Bruce and Norman Yonemoto and Mike Kelley, Animated sequence: Mike Kelley, Jim Shaw, Additional photography: Michael Goldberg, Shunichi Fujioka, Gary Hill, Performers: Mike Kelley, Mary Wornonov, Ed Ruscha, Narrator: Keye Luke, A KYO-DAI production, 1986, 26:00, Color, Stereo sound.

Blinky the Friendly Hen, 1988.

Green Card: An American Romance,1982, 79:15, color.

An Impotent Metaphor, 1980, 43:00, color, sound.

Made in Hollywood,1990

Vault, 1984, 11:45, color.

 

 

Electronic Arts Intermix Selections

Mediated Presence, EAI, (see additional brochures for details).

New Work from EAI, (see additional brochures for details).