Essay by Lynne Cooke
Exhibition Images
Press Release
Checklist of Works
Selected Bibliography
Biography
Funding

"Reverb" is the intriguing result of a dialogue between American artist Jorge Pardo and Italian sculptor Gilberto Zorio. Interwoven into Project (2000) - Pardo's redesign of Dia's bookshop, lobby, and gallery - and partially enveloped by his new monumental curtain is Microfoni, a sound work first created by Zorio in 1969.


Checklist of Works

1. Jorge Pardo, Project, 2000
3 parts: lobby, bookshop, gallery
overall dimensions: 108 x 108 feet
Commissioned by Dia Center for the Arts, 1998

2. Jorge Pardo, Curtain, 2001
500 yards x 8 feet
silkscreen fabric, aluminum track

3. Gilberto Zorio, Microfoni, 1968-1969
remade 2001
microphones, concrete blocks, and rope
dimensions variable
Collection Sonnabend Gallery, New York


Selected Bibliography

Jorge Pardo
Jorge Pardo. Eds. Jörn Schafaff, Barbara Steiner. Landesbank Baden-Württemberg, in association with Cantz, 2000. Texts by Philippe Parreno, Jörn Schafaff, Stephan Schmidt-Wulffen, Andreas Spiegel, Barbara Steiner, and Frances Stark.

Jorge Pardo. Philadelphia: The Fabric Workshop and Museum, 1999. Texts by Steven Beyer, Marion Boulton Stroud, Paola Antonelli, Jorge Pardo, and Christiane Schneider.

Jorge Pardo. London: Royal Festival Hall, 1999. Text by Jan Tumlir.

Jorge Pardo. Ed. Russell Ferguson. Los Angeles: Museum of Contemporary Art and Museum of Contemporary Art, Chicago, 1997 (special box catalogue). Texts by Ann Goldstein, Stacia Payne, and an interview by Amada Cruz.

Jorge Pardo. Augsburg: Gesellschaft für Moderne Kunst, 1997. Text by Tobias Rehberger.
Jorge Pardo. Tokyo: Person's Weekend Museum, 1993. Texts by George Porcari and Timothy Blum.

Gilberto Zorio
Gilberto Zorio. Bergamo: Galleria Fumagalli, in association with Edizioni Stefano Fumagalli, 2001. Text by Danilo Eccher.

Gilberto Zorio. Trento: Galleria Civica di Arte Contemporanea, in association with Hopeful Monster Editore, Turin, 1996. Text by Danilo Eccher and an interview by Germano Celant.

Gilberto Zorio. Amsterdam: Institute for Contemporary Art, 1992. Texts by Nena Dimitrijevic and Mario Bertoni.

Gilberto Zorio. Amsterdam: Stedelijk Museum, in association with Hopeful Monster Editore, Turin, 1987. Texts by Rudi Fuchs, Gilberto Zorio, and an interview by Germano Celant.

Gilberto Zorio. Paris: Musée national d'art moderne, Centre Georges Pompidou, 1986. Text by Catherine David.

Gilberto Zorio. Stuttgart: Württembergischer Kunstverein, in association with Stedelijk Van Abbemuseum, Eindhoven; Musée national d'art moderne, Paris; and Centre d'art contemporain, Geneva, 1985.


Biography

Born in 1963 in Havana, Cuba, Jorge Pardo emigrated to the United States in July 1969. He studied at Art Center College of Design in Pasadena (1984-1988) and has exhibited widely since his first solo show in Los Angeles in 1988. Besides participating in numerous international group exhibitions, he has realized various permanent projects, including Reading Room at the Boijmans Van Beuningen Museum in Rotterdam in 1996, Pier in the 1997 Skulptur.Projekte in Münster, and, in 1998, 4166 Sea View Lane (with the Museum of Contemporary Art in Los Angeles). Pardo lives and works in Los Angeles and Long Island.

Born in 1944 in Andomo Micca, Italy, Gilberto Zorio studied art at Turin's Accademia di Belle Arti from 1963 to 1970. Since his first solo show at Galleria Sperone in Turin in 1967, Zorio has exhibited widely in Europe and the United States. He was included in several group shows defining Arte Povera in 1967 and 1968, in addition to exhibiting at Documenta V (1972), and the Venice Biennials of 1978, 1980, 1986, and 1997. Retrospective exhibitions of Zorio's work have been presented at the Stedelijk Museum in Amsterdam in 1979; the Kunstverein in Stuttgart in 1985, traveling to Paris, Geneva, and Eindhoven; Instituto Valenciano de Arte Moderno, Valencia in 1991, traveling to Prato; and Galleria Civica di Arte Contemporanea, Trento (1996).


Funding

Support for this exhibition has been provided by Rosa and Carlos de la Cruz and the members of the Dia Art Council. Pardo's fabric was produced through a collaboration between Dia Center for the Arts and The Fabric Workshop and Museum, Philadelphia




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